Taking the Next Step


It was not my intent to give the impression that the time it took to write my previous post was in any way comparable to the time it took to light up that first vintage steel hoop and end up manufacturing steel light rings. In face I want to discourage that interpretation. That post was written well after the fact and in a matter of hours. The evolution of that glimmer of an idea to light up a vintage tractor wheel and hang it in a tree to shipping light rings all over the US – that took years.  It takes loads of time to move off one’s own familiar dime in search of a new way of seeing –  or being. Doesn’t it?

It was many years ago that we moved up to making light rings with multi colored light strands. White mini lights were not the only game in town, right? The hoops were fashioned from channel steel the width of which snugly held the incandescent light strings in place. The wrapping of the lights was a very formal and serious affair. Once Rob leapt off the usual and familiar, he abandoned the incandescent light strings for LED’s. The price had come down, and the expense to power them up was dramatically less. That was a crucially important step, but it meant that the hoops had to be redesigned. The ring is wider and the channel is deeper now. The best news of all of that transformation is the cost of running the lights around the clock, and close to all year long, was very reasonable. The interest in the hoops grew.

I recall a fling with LED cherry light strands. Rob does make lots of winter/holiday lighting available to customers of Detroit Garden Works. The cherry lights are just one style of many we have had available to use. We took to those cherry lights-meaning we wrapped light rings with them.  The fascination with those luminous sphere lights goes on – as well it should. I also remember a brief bead we had on various mixes of lights large and small. We were hooping it up.  Years later, a five foot ring belonging to an adventuresome client now has lighted ornament hanging in that big empty space inside the ring. Hung from an arbor at the far end of her driveway, it lights the way as much as it says welcome home and Merry Christmas. The winter lights have a sculptural intent, but they also shoo away the dark.

Rob stepped up to a version of the hanging light hoop that featured four rod steel legs. The new free standing rings could be placed in pots, or directly into the soil in the landscape. This step forward was liberating. One year a five foot light ring strung with our LED mini lights was wreathed in large galvanized snow flakes –  zip tied on to the steel circle – one 3-D flake at a time. I don’t remember how that idea came to be, but it was smashing.  Months ago, a client with existing light rings was looking for a fresh iteration. I was fussing a little and fuming plenty about what to do with them –  not seeing a clear way forward. It finally occurred to me that her lighted rings could be armatures or structures. Those rings could be the supporting cast.  A foundation upon which another independent element could be added.

I found a direction worth pursuing. Pairing a light ring with a 6′ long lighted twig garland proved to be just the thing for taking a sculptural step. This light garland is very different than a typical light strand featuring all of the lights in an evenly spaced row. Once the garland is fluffed out, it added volume to the ring without weighing it down.  The sturdily wired and lit branchlets enabled placing them both to the inside and to the outside of the ring. We featured this pairing this past week in the winter containers in the front of the shop. The long wired arms make the lights appear to be floating around the ring. Handsome, this.

Once all of our winter work for clients is done, we dress the front of the shop. This is a project we greatly enjoy, as it signals that all of our booked work is finished. The pace slows down. We take that time to sort out how we want to proceed, as we can. The centerpiece of this garden is a large and substantial cast iron vat.  Five cases of noble fir from an alternate supplier sitting untouched in a corner proved to be the largest and longest fir boughs of the entire season. We had no idea that these boxes held such evergreen gold.  That robust scale and length was just what this light ring and vat needed to make a winter container where every element is of proper proportion to the size of the space and the container.

The windowsills inside my office are deep. I would say a foot or better. I have long toyed with the idea of making that interior sill space part of the exterior winter display-and vice versa. There is no reason not to. The glass is not a barrier to seeing. We loaded small galvanized rectangles with dry foam and lights, and 4 rows of pussy willow, set them close to the glass.

Those closely spaced sticks provided a simple yet uniformly textured background to the rings. It afforded the vignette some depth. They helped to define the space. They look good!

Making the view of the inside an integral part of the outside also provided privacy from the inside out. Every step we took with this project was a step in a direction I liked.

Filling the 2 planter boxes on either side of the front door solidly with bunches of pussy willow completed the look.


Bring it on, January.

Ringing In The 2025 Winter Season


It is probably close to 15 years ago that Rob wrapped a vintage steel tractor tire hoop with a string of incandescent holiday lights, and hung it in a tree. On a whim, I might add. A hank of ten ends jute attached to the top of the ring at one end,  and a stout branch of the tree on the other end, also provided cover for the electrical cord at the end of the light string that would run across the top of the branch and back to the main trunk. Once that cord dropped to the ground, an extension cord would deliver the electricity needed to light up that ring. So unexpectedly beautiful -a  lighted circle effortlessly suspended from a branch of a tree. With no apparent source of electricity.  Magic, this. And not to mention simple. One lighted ring 3′ in diameter would speak loud and clear to the holiday and winter season ahead – every day and all through the night.

In its most basic form, a circle is a powerful and compelling shape. It has no beginning or end. The history and importance of the circle in art, engineering, music, mathematics, astronomy, design and so on dates back centuries. There is much more to the symbolism and meaning of a circle than its geometry. Very little of human endeavour does not touch on or recall the circle in some way. Every circle I design in to a landscape recalls all of that history. A circle has an aura that comes with it. Every lighted circle displayed over the winter and holiday season makes that aura visible.

That first lighted hoop gave way to a channel steel version designed by Rob in various sizes, and manufactured for Detroit Garden Works. Later came his rather brilliant design for a spiked hoop held aloft by a steel rectangle whose four long rod steel legs could be inserted into the soil in a pot or in the ground. Lighted hoops featured in winter and holiday pots and container arrangements delighted my clients. They have become a mainstay of our winter season. Soon we were shipping the lighted rings all over the country. I was so pleased to see our gardening clientele coming to Detroit Garden Works to shop for materials for that 4th season.  The winter.

Those original hanging light rings from years ago did a brave job of keeping the dreary part of the winter at bay. The dark part, that is.  Having moved the design and construction of our winter container arrangements indoors means we have time to study on the design and construction. The time constraints of the winter container season is an invitation to hurry.  Hurried work can look hurried. So we have had some time to study on those light rings, and think about how else we could use them. Or what we could add to them.

It was inevitable that given enough time and exposure, we would start to tinker with that basic light ring. Maybe a different style of light would change things up. Perhaps the ring could be a structure – an armature upon which something else beautiful and sculptural could be built. For this project, the lighted ring was lined with a diminutive evergreen garland that would connect that steel circle visually with the evergreens populating the box. The circle is stronger, and is a more important part of the composition, given the additional emphasis that the garland provides. The trio of over scaled steel pine cones that Rob had  sourced overseas anchors the ring to the ground plane of the box.

Each of the four light rings are immersed in alternating rows of red bud pussy willow stems.  Two fingers between each branch is how we space them. That thicket softens the geometry of the circle. It provides some mystery. The mass of them soften the light shining back into the windows. The twigs, and greens surrounding them suggest a garden environment – similar to and reminiscent of those places outdoors that gardeners treasure. Needless to say, I have clients that keep their light rings powered up all year round. Given how little power the LED lights draw, there is no reason not to enjoy them all winter long.

Whether the weather  obliges with one inch or 10 inches of snow, the rings will keep beaming.

The Garden Cruise July 23, 2023


Detroit Garden Works hosted its first Garden Cruise to benefit the Greening of Detroit since 2019. I feel an intense satisfaction in being able to write that sentence. Perhaps some background for those readers who are not familiar with this event should come first. The Garden Cruise is a celebration of a lot of events. The landscape design that has been my life’s work. The extraordinary relationships created with clients culminating in the building of a landscape project. The selection and placement of beautiful and appropriate landscape ornament that physically centers and metaphorically organizes the landscape in question. And those steel boxes, benches, ornament, fountains and pergolas designed and manufactured in steel by my company, The Branch Studio.  The wild shade garden portion of the landscape pictured above, which is part of the upcoming tour, features all of these things.  It was designed and planted almost 10 years ago. The rod steel sphere fabricated at Branch Studio is fixed on top of a repurposed 19th century English stone lawn roller set on end – minus its steel armature –   as a rather contemporary pedestal. That piece was sourced and purchased in England by Rob Yedinak, and shipped to Detroit Garden Works and offered for sale. The wild garden features shade plants that beautifully represent and thrive in Michigan-so hellebores, sweet woodruff, pulmonaria, brunnera, hamamelis-and hemlocks. The big old spruce had seen better days, but why remove plants of such majestic scale and presence?

These clients are extraordinary people. They have diverse interests, but to the last they are united in their love of this house which is turning 100 years old, their love of nature and the natural world, and their commitment to preservation and restoration.  The bricks and limestone slabs were part of a wall in such disrepair that it had to come down and be rebuilt. Those stone and brick elements featured in the walk above were the original wall materials they felt were too beautiful to throw away. They asked me to design something around them. We call this path from the back yard to the front yard “the history walk”. There was story telling. History and artistry. In all my years of designing and installing landscapes, this photograph of my client in his surgical scrubs touring his garden late in the day is one of my favorites.  Gardens are good for people.


They also have a big love for entertaining outdoors in the summer. I drew a 20′ diameter circle on the site plan, and wrote the word POOL in the center. Ha! That ignited a firestorm of discussion, most of which had to do with not wanting a round pool. I was able to persuade them that round entertaining spaces are so friendly. And that it would fit handsomely in their oddly shaped lot. I was able to persuade them, once the shock of the suggestion had faded. A final design featuring the change of grade between the house and the rear lot line looked exactly like who it was for.

That is an essential part of a successful landscape design – a relationship that enables work that looks like it belongs to the client and their property.  This landscape has been on the tour before, but the way in which it is evolving and maturing makes it well worth another visit.


These clients have invested 25 years in the landscape and gardens on their 7 acre property. They went so far as to purchase the house next door, as it would complete and make whole a natural feature of the land. What an extraordinary thing to do! The property is packed with gorgeous mature trees – some usual fare, and some rarely seen outside of an arboretum.

In recent years I have been involved in the landscape design of those areas adjacent to both the main house and the getaway house. This portion of the landscape has a distinctive contemporary feel that is quite formal. The allee of columnar hornbeams pictured above is at the beginning of a very unusual trimming protocol. The outsides of the trees will be pruned flat, and the interior will be a celebration of the natural arching branches of these trees.

Adjacent and perpendicular to the broad gravel pathway which connects the main house to the other is a 50′ diameter circle of liriope spicata. The texture and mass generated by this single plant is stunning. On a breezy day, it is constantly in motion. What is perhaps the most amazing is that these clients maintain virtually the whole of their property themselves. I am not sure how many containers they have filled with seasonal plants, but that number is big.


In additional to small seating areas sprinkled throughout the gardens, there are plenty of places near the house to leisurely sit and enjoy the out of doors.  They have devoted considerable effort to providing a large terrace, pergolas, and furnishings to host friends and family comfortably for meals, parties and celebrations. Plan to spend some time exploring this landscape.

My landscape and gardens have been on the Garden tour every year since they began in 2008. A visit was mostly about how plants had grown.  The only substantial change from year to year was the container plantings. This year is not so much different, except for the deck and fountain garden.

I do have new furniture, and a mix of  of pots. French glazed pots from Terre Albine so enchanted me that I had to have some at home. All of these particular pots were broken from a series of unrelated mishaps. One of the fabricators at the Branch Studio was able to piece them all back together. I like that these beautiful pots still have a place in a garden, and I love them in my garden.
I am not posting any pictures of the fountain garden. Better that you see it in person. It is completely and shockingly different than it once was. Everything has a life span, including a landscape and garden. This part of my landscape has only been in 2 years.

This client has always had an interest in plants and flowers, but he has a fairly new and more substantial involvement. I was able to redo areas of the landscape to feature more ornamental plants and containers. He is watering his pots when they need it, and keeping his eye on all of the plants.

He is thoroughly enjoying what pleasure the outdoors can provide to people.

A large scale pool which is an entertainment focal point for his family and friends now has the ornamental gardens to go with. A mature hedge of Green Giant arborvitae provides a gorgeous backdrop and lots of privacy to the pool deck. In the immediate foreground is a series of three steel planter boxes fabricated at Branch. A section of a boxwood hedge was removed and planted elsewhere in favor of a seasonal flower display.

This landscape features a formal front yard composed of masses of spherically pruned Green Gem boxwood, boxed smaller scale Green Gems, and Venus dogwoods. A hedge of limelight hydrangeas encloses it all.  This pattern of planting encloses a spacious drive court. The house sits high on a rather steep hill, so parking near the house was a landscape priority.

The back yard with literally no flat space has been transformed by a 3200 square foot wood deck made from Ipe. The far end of this deck is 11 feet above the existing grade. Inset in the deck is a three sided infinity edge pool and waterfall. At the far end, a large scale pergola designed with louvered roof panels for shade by Branch Studio provides a shady spot for lounging and dining. The surrounding landscape is informal and lush.

I do hope as many of you as possible who are reading will attend this Garden Cruise on July 23, 2023 from 9am to 4:30pm, and the cocktails and pizza dinner reception to be held at Detroit Garden Works afterwards. So many have asked me to sponsor a tour again, and to write again. I am doing both. It will be an excellent tour well worth the time of any person for whom the garden is a way of life.

All of the proceeds of the ticket sales – 40.00 for the cruise, and 55.00 for the cruise and reception –  go to benefit the programs of the Greening of Detroit – an organization whose work I think is crucially important to the City of Detroit. For further information   www.thegardencruise.org     Tickets can be purchased over the phone or in person at Detroit Garden Works.  248  335  8057.

At A Glance: The Winter Pots and Boxes: 2000-2021


2000   To follow is a substantial run of pictures from my winter container arrangement archives-the photo collection and work dates back 21 years. I am as surprised to see this as you are. I did not think there were this many years and that much history-but here it is. I did not compare every picture from a given year, and choose what I thought was the best. Whatever seemed to speak to this moment was included. Some arrangements look in keeping with the year they were made. Some look ahead of their time. Some look great and others are so regrettably so so. Ha. You decide what you think. I have my memories.


2001  Tender    We recycled dead Bradford pears from our nursery supplier, and rubbed them down with a copper colored wax. The trees were ornamented with twine pillows and platinum fluff balls.

2002  This light garland was the first of many that Rob would make over the past 20 years. I am sure there are more to come.

2002, part 2  Galvanized pipe wound round with lights, curly copper willow, and greens augmented with light strands and lighted ornaments

2003 Dried and dyed mood moss fitted and glued over urethane topiary forms

2004   Prelit glitter and berry branches hover over fresh cut greens and lighted ball ornaments.

2004     More of those prelit metallic copper glitter branches.


2005  round wood poles, grapevine spheres and lengths of thin wood lath

2005  dried grasses, twigs, faux berry picks and cut pine

2006   stick stack, berry picks, and fresh noble fir over a large huck wreath.

2006  bleached willow twigs, stick stacks, bottle brush snowflakes and gold poly mesh

2007  a first foray into arranging natural foraged branches

2007 at Detroit Garden Works    live juniper topiaries, fan willow and mixed cut greens. We have never been able to source fan willow of this size and with this degree of fasciation, again – it was locally grown.

2007  contemporary stoneware pot by Francesco del Re filled with various contemporary sticks and stacks.


2008     red twig dogwood, red berry picks, fresh silver dollar eucalyptus set into cut noble fir boughs

2008    yellow twig dogwood and eucalyptus stems and pods

2009     red twig dogwood, faux red twig picks, magnolia branches and mixed evergreen boughs

2010   magnolia garland, red twig dogwood and red berry picks

2011  un-branched red twig dogwood, magnolia, boxwood, fresh cut winterberry and noble fir

2011 Detroit Garden Works  gold deco mesh enlivens fresh cut pussy willow, greens, and pine cones

2012      copper curly willow and magnolia branches – and mountain hemlock all around

2013   Tall red bud pussy willow, red preserved eucalyptus and mixed greens

2013    red bud pussy willow, lilac preserved eucalyptus, magnolia and noble fir

2014  flame willow, magnolia branches and mixed cut greens-

2014


2015  lime green faux berry picks and pale blue gray preserved eucalyptus. The basket planter is Dutch made.


2015   with the Christmas holiday in mind


2016   English made steel topiary form with lights, spruce tips, and snow


2017       flame willow, magnolia and spruce branches


2017     yellow twig dogwood, yellow fuzz ball picks, white eucalyptus, variegated boxwood in a large corten steel planter box

2018   3′ diameter lighted ring over a mix of silver and noble fir

2018    a thicket of “midwinter sun” dogwood branches and mountain hemlock

2019   a sparse arrangement of red bud pussy willow, green and white fuzz ball picks, gold and white berry picks and magnolia

2019   “midwinter fire dogwood branches and a light ring

2019     yellow and green


2020    a winter sculpture made of fan willow, boxwood and noble fir

2020    flame willow and large scale snowball picks awash in LED cherry lights


2020  layered look with tall faux astilbe picks
2020  wool felt stole and gold grass picks

2020  wicker basket pots


2021  bleached sticks of several diameters and heights; white berry picks


2021   the centerpiece:  cream berries lining the interior of a 5′ diameter light ring, twigs, picks and magnolia

2021        3′ diameter light ring, alder branches, stainless steel spheres on stainless stems, silver plastic grass
2021          green and white


2021  evergreen branches set vertically

2021  window boxes with light rings,  faux lambs ear garlands, silver plastic grass, blueberry picks, white flower picks-and beaded stars. Very keen to see what will come next.