Posts | Deborah Silver & Co.

The Garden Cruise July 23, 2023

Detroit Garden Works hosted its first Garden Cruise to benefit the Greening of Detroit since 2019. I feel an intense satisfaction in being able to write that sentence. Perhaps some background for those readers who are not familiar with this event should come first. The Garden Cruise is a celebration of a lot of events. The landscape design that has been my life’s work. The extraordinary relationships created with clients culminating in the building of a landscape project. The selection and placement of beautiful and appropriate landscape ornament that physically centers and metaphorically organizes the landscape in question. And those steel boxes, benches, ornament, fountains and pergolas designed and manufactured in steel by my company, The Branch Studio. The wild shade garden portion of the landscape pictured above, which is part of the upcoming tour, features all of these things. It was designed and planted almost 10 years ago. The rod steel sphere fabricated at Branch Studio is fixed on top of a repurposed 19th century English stone lawn roller set on end – minus its steel armature – as a rather contemporary pedestal. That piece was sourced and purchased in England by Rob Yedinak, and shipped to Detroit Garden Works and offered for sale. The wild garden features shade plants that beautifully represent and thrive in Michigan-so hellebores, sweet woodruff, pulmonaria, brunnera, hamamelis-and hemlocks. The big old spruce had seen better days, but why remove plants of such majestic scale and presence?

These clients are extraordinary people. They have diverse interests, but to the last they are united in their love of this house which is turning 100 years old, their love of nature and the natural world, and their commitment to preservation and restoration. The bricks and limestone slabs were part of a wall in such disrepair that it had to come down and be rebuilt. Those stone and brick elements featured in the walk above were the original wall materials they felt were too beautiful to throw away. They asked me to design something around them. We call this path from the back yard to the front yard “the history walk”. There was story telling. History and artistry. In all my years of designing and installing landscapes, this photograph of my client in his surgical scrubs touring his garden late in the day is one of my favorites. Gardens are good for people.

They also have a big love for entertaining outdoors in the summer. I drew a 20′ diameter circle on the site plan, and wrote the word POOL in the center. Ha! That ignited a firestorm of discussion, most of which had to do with not wanting a round pool. I was able to persuade them that round entertaining spaces are so friendly. And that it would fit handsomely in their oddly shaped lot. I was able to persuade them, once the shock of the suggestion had faded. A final design featuring the change of grade between the house and the rear lot line looked exactly like who it was for.

That is an essential part of a successful landscape design – a relationship that enables work that looks like it belongs to the client and their property. This landscape has been on the tour before, but the way in which it is evolving and maturing makes it well worth another visit.

These clients have invested 25 years in the landscape and gardens on their 7 acre property. They went so far as to purchase the house next door, as it would complete and make whole a natural feature of the land. What an extraordinary thing to do! The property is packed with gorgeous mature trees – some usual fare, and some rarely seen outside of an arboretum.

In recent years I have been involved in the landscape design of those areas adjacent to both the main house and the getaway house. This portion of the landscape has a distinctive contemporary feel that is quite formal. The allee of columnar hornbeams pictured above is at the beginning of a very unusual trimming protocol. The outsides of the trees will be pruned flat, and the interior will be a celebration of the natural arching branches of these trees.

Adjacent and perpendicular to the broad gravel pathway which connects the main house to the other is a 50′ diameter circle of liriope spicata. The texture and mass generated by this single plant is stunning. On a breezy day, it is constantly in motion. What is perhaps the most amazing is that these clients maintain virtually the whole of their property themselves. I am not sure how many containers they have filled with seasonal plants, but that number is big.

In additional to small seating areas sprinkled throughout the gardens, there are plenty of places near the house to leisurely sit and enjoy the out of doors. They have devoted considerable effort to providing a large terrace, pergolas, and furnishings to host friends and family comfortably for meals, parties and celebrations. Plan to spend some time exploring this landscape.

My landscape and gardens have been on the Garden tour every year since they began in 2008. A visit was mostly about how plants had grown. The only substantial change from year to year was the container plantings. This year is not so much different, except for the deck and fountain garden.

I do have new furniture, and a mix of of pots. French glazed pots from Terre Albine so enchanted me that I had to have some at home. All of these particular pots were broken from a series of unrelated mishaps. One of the fabricators at the Branch Studio was able to piece them all back together. I like that these beautiful pots still have a place in a garden, and I love them in my garden.
I am not posting any pictures of the fountain garden. Better that you see it in person. It is completely and shockingly different than it once was. Everything has a life span, including a landscape and garden. This part of my landscape has only been in 2 years.

This client has always had an interest in plants and flowers, but he has a fairly new and more substantial involvement. I was able to redo areas of the landscape to feature more ornamental plants and containers. He is watering his pots when they need it, and keeping his eye on all of the plants.

He is thoroughly enjoying what pleasure the outdoors can provide to people.

A large scale pool which is an entertainment focal point for his family and friends now has the ornamental gardens to go with. A mature hedge of Green Giant arborvitae provides a gorgeous backdrop and lots of privacy to the pool deck. In the immediate foreground is a series of three steel planter boxes fabricated at Branch. A section of a boxwood hedge was removed and planted elsewhere in favor of a seasonal flower display.

This landscape features a formal front yard composed of masses of spherically pruned Green Gem boxwood, boxed smaller scale Green Gems, and Venus dogwoods. A hedge of limelight hydrangeas encloses it all. This pattern of planting encloses a spacious drive court. The house sits high on a rather steep hill, so parking near the house was a landscape priority.

The back yard with literally no flat space has been transformed by a 3200 square foot wood deck made from Ipe. The far end of this deck is 11 feet above the existing grade. Inset in the deck is a three sided infinity edge pool and waterfall. At the far end, a large scale pergola designed with louvered roof panels for shade by Branch Studio provides a shady spot for lounging and dining. The surrounding landscape is informal and lush.

I do hope as many of you as possible who are reading will attend this Garden Cruise on July 23, 2023 from 9am to 4:30pm, and the cocktails and pizza dinner reception to be held at Detroit Garden Works afterwards. So many have asked me to sponsor a tour again, and to write again. I am doing both. It will be an excellent tour well worth the time of any person for whom the garden is a way of life.

All of the proceeds of the ticket sales – 40.00 for the cruise, and 55.00 for the cruise and reception – go to benefit the programs of the Greening of Detroit – an organization whose work I think is crucially important to the City of Detroit. For further information www.thegardencruise.org Tickets can be purchased over the phone or in person at Detroit Garden Works. 248 335 8057.

Posted on: July 11, 2023 34 Comments

Filed Under: Deborah Silver and Co Inc, Parties and Events, Detroit Garden Works, Good Design, Landscape Design

At A Glance: The Winter Pots and Boxes: 2000-2021

2000 To follow is a substantial run of pictures from my winter container arrangement archives-the photo collection and work dates back 21 years. I am as surprised to see this as you are. I did not think there were this many years and that much history-but here it is. I did not compare every picture from a given year, and choose what I thought was the best. Whatever seemed to speak to this moment was included. Some arrangements look in keeping with the year they were made. Some look ahead of their time. Some look great and others are so regrettably so so. Ha. You decide what you think. I have my memories.

2001 Tender We recycled dead Bradford pears from our nursery supplier, and rubbed them down with a copper colored wax. The trees were ornamented with twine pillows and platinum fluff balls.

2002 This light garland was the first of many that Rob would make over the past 20 years. I am sure there are more to come.

2002, part 2 Galvanized pipe wound round with lights, curly copper willow, and greens augmented with light strands and lighted ornaments

2003 Dried and dyed mood moss fitted and glued over urethane topiary forms

2004 Prelit glitter and berry branches hover over fresh cut greens and lighted ball ornaments.

2004 More of those prelit metallic copper glitter branches.

2005 round wood poles, grapevine spheres and lengths of thin wood lath

2005 dried grasses, twigs, faux berry picks and cut pine

2006 stick stack, berry picks, and fresh noble fir over a large huck wreath.

2006 bleached willow twigs, stick stacks, bottle brush snowflakes and gold poly mesh

2007 a first foray into arranging natural foraged branches

2007 at Detroit Garden Works live juniper topiaries, fan willow and mixed cut greens. We have never been able to source fan willow of this size and with this degree of fasciation, again – it was locally grown.

2007 contemporary stoneware pot by Francesco del Re filled with various contemporary sticks and stacks.

2008 red twig dogwood, red berry picks, fresh silver dollar eucalyptus set into cut noble fir boughs

2008 yellow twig dogwood and eucalyptus stems and pods

2009 red twig dogwood, faux red twig picks, magnolia branches and mixed evergreen boughs

2010 magnolia garland, red twig dogwood and red berry picks

2011 un-branched red twig dogwood, magnolia, boxwood, fresh cut winterberry and noble fir

2011 Detroit Garden Works gold deco mesh enlivens fresh cut pussy willow, greens, and pine cones

2012 copper curly willow and magnolia branches – and mountain hemlock all around

2013 Tall red bud pussy willow, red preserved eucalyptus and mixed greens

2013 red bud pussy willow, lilac preserved eucalyptus, magnolia and noble fir

2014 flame willow, magnolia branches and mixed cut greens-

2014

2015 lime green faux berry picks and pale blue gray preserved eucalyptus. The basket planter is Dutch made.

2015 with the Christmas holiday in mind

2016 English made steel topiary form with lights, spruce tips, and snow

2017 flame willow, magnolia and spruce branches

2017 yellow twig dogwood, yellow fuzz ball picks, white eucalyptus, variegated boxwood in a large corten steel planter box

2018 3′ diameter lighted ring over a mix of silver and noble fir

2018 a thicket of “midwinter sun” dogwood branches and mountain hemlock

2019 a sparse arrangement of red bud pussy willow, green and white fuzz ball picks, gold and white berry picks and magnolia

2019 “midwinter fire dogwood branches and a light ring

2019 yellow and green

2020 a winter sculpture made of fan willow, boxwood and noble fir

2020 flame willow and large scale snowball picks awash in LED cherry lights

2020 layered look with tall faux astilbe picks
2020 wool felt stole and gold grass picks

2020 wicker basket pots

2021 bleached sticks of several diameters and heights; white berry picks

2021 the centerpiece: cream berries lining the interior of a 5′ diameter light ring, twigs, picks and magnolia

2021 3′ diameter light ring, alder branches, stainless steel spheres on stainless stems, silver plastic grass
2021 green and white

2021 evergreen branches set vertically

2021 window boxes with light rings, faux lambs ear garlands, silver plastic grass, blueberry picks, white flower picks-and beaded stars. Very keen to see what will come next.

Posted on: January 29, 2022 37 Comments

Filed Under: Deborah Silver and Co Inc, Winter, Holiday, Picture This, Seasonal Tagged With: Deborah Silver and Co, winter arrangements, holiday containers, winter containers, winter pots, holiday pots

Sailing Close To The Wind

I recently ran across some pictures of holiday containers from the year 2000. The year 2000? I was faint with surprise. It is impossible to believe that we have just finished our 21st season designing, fabricating and installing winter arrangements in pots and containers, but indeed we have. I would have guessed we had 10 years into it, at most. It seems those decades flew by. How is it possible to have sustained a keen interest in the work for that many years, much less kept it fresh and innovative?

Of course one’s approach to the work evolves with experience. In the early days we installed all of the materials in containers on site, in very cold and otherwise inhospitable conditions. All of the materials were inserted into the soil. It took a few years to rewrite that protocol, but now all of the work is done indoors, in custom made forms that are saved and reused from year to year. If you read here regularly, you have heard all about this before. We have a broker of excellent repute and outstanding service supply us with evergreen boughs of incredible size and heft. The picture above and below tell the story of those greens. The dry, preserved and faux materials we are able to add to our arrangements have become more sophisticated and more wide ranging over the years. The materials themselves suggest and inform the design. Great materials enable great work – so all my best to you, and thank you, Rob. But what the 21 years we have in to designing and fabricating the winter pots got me to thinking about has to do with aesthetics. The art and sculpture of it, if you will.

In the beginning we had our mandate – even though we may not have been so conscious of it. Being gardeners, the most beautiful arrangements of greens would of course be those arrangements that most closely replicated the natural arrangement of greens in living and growing evergreen trees and shrubs. Those arrangements engineered by nature have evolved to maximize the health and well being of the plant, and future generations of that plant. Our goal was to arrange cut greens to look as though they were part of a live tree, and growing. We would try to copy nature in exacting detail. There are winter containers we have done that appear to have evergreen shrubs growing in them. We’ve been asked about how to water them more than just a few times. Clients would admire that we were able to make our winter containers look real. Though nature’s works are extraordinarily sculptural, they are after all, nature’s works, and not ours. How would we improve on what nature had already done? We wouldn’t. But we could interpret, celebrate and document our relationship with nature in any number of ways.

Considering the possibility of arranging greens in a not necessarily natural way was uncharted territory. We needed to go in that direction, but that process was like sailing a sailboat directly in to the wind. A sailboat is able to make forward progress into a headwind by a process called tacking. The boat is moved across the wind by turning the bow towards and through the wind in one direction, and then back across the wind in the other. This zig zag movement, if it is skillfully done, has a strong vertical component. It produces forward motion towards a desired destination. If the turning into the wind is of a slight and subtle angle, rather than a sharp 90 degree turn, it produces a phenomena known as sailing close to the wind. Meaning a very small change can make forward progress possible. To anyone reading who truly is a sailor, I apologize for this shallow discussion of tacking. But even a oversimplified version of it helps to explain how our work has evolved creatively.

What are our headwinds? Being reluctant to entertain change is the strongest. Sometimes a lack of imagination or a loss of interest can whip up a stiff headwind. The arrangement pictured above was notable for us, as we deliberately inserted the evergreen boughs adjacent to the centerpiece in a vertical position. It was the first time in at least 15 years – taking that tack. The very first picture in this post illustrates that clearly. The moment we were able to set branches at a horizontal angle in a rigid foam armature, we abandoned ever setting branches vertically again. We were free from the demands imposed by constructing arrangements in the soil. But one set of freedom enabled another kind of prison-not assessing each project on the merits. We made this small incrementally small change in our construction protocol for this pot ostensibly to conceal the faux stems of our faux picks. But the consequences of this small change-the impulse to go vertical in this pot – proved to be substantial. The overall shape was very different-gorgeous to my eye. Natasha did an incredible job setting the greens in this pot. Stunning. Her attention to detail and understanding of mass, volume and shape is obvious.

The following photographs detail the construction of winter arrangements for a set of window boxes that we did last year. It is clear from the pictures that the greens have been set at angles that respond to the geometry of the light ring in the center. The light ring was lined with a heavy weight boxwood garland, that visually connects to the shaped boxwood that follows the radius of the bottom of the light ring. How the boxwood is installed makes the light ring look integral to the arrangement-in a sculptural way. Boxwood would not grow like this, but it might live like this were it trimmed. That would endow the boxwood with the evidence of the human hand. Noble fir branches would not grow like this either. It is clear that this arrangement is of a different sort. And it is definitely not a representation of a noble fir tree.

There are those who might say that the evidence of the human hand is greatly inferior to the hand of nature. I don’t subscribe to that notion, as I do not see the two forces as comparable. They are relatable, integral to one another, but different. Equally interesting. Equally essential.

This picture taken in the shop after the construction was finished illustrates to my mind how a winter arrangement can be sculptural. It took a while to convince Birdie that it would be good and beautiful to install the long greens with an upward trajectory. Like angel wings. What an incredibly beautiful job she did. Ten minutes in, she knew exactly where she was going. Right into the wind.

It was a perfect moment, looking at these sculptures at days end when everyone had gone home. We would install them the following day.

Install them we did.

Posted on: January 17, 2022 23 Comments

Filed Under: Deborah Silver and Co Inc, garden sculpture, Winter, container planting, Holiday, Seasonal

Recent Work

What is to follow does by no means represent all of the winter and holiday container work that was done this season, but it’s a start. It will take a few more posts to talk about them all. But I could not be happier for the incredible, thoughtful and memorable work of staff from Deborah Silver and Co, The Branch Studio, and Detroit Garden Works. They make it all happen, and I watch their process and their production with great respect and awe. There is a whomping lot of pictures to follow, all in celebration of the 2021 winter season in the garden.